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Trumpet Concerto in E major - Version in Eb major


By Johann Nepomuk Hummel

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Trumpet-solo, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, timpani, strings (solos: trp - - - timp - str)
Urtext. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Michael Kube. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Here you will find the E major version (original key) of this concerto.

Classical period. Violin 2 part. Breitkopf and Haertel #OB-15118-16. Published by Breitkopf and Haertel (BR.OB-15118-16).

Item Number: BR.OB-15118-16

ISBN 979-0-004-34036-3. 10 x 12.5 in inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The new Urtext edition respects this performance-practical aspect: the edition for trumpet and piano contains both versions. The score and orchestral parts can be obtained in two different editions.

CD WERGO WER 6594 2 Dorothea Lindenberg Gleich mit dem Kontrabass beginnen

,,Kontrabass! hat nicht zufallig ein Ausrufezeichen im Titel denn Thomas Schlinks Schule beginnt bei Null d. h. sie setzt keine instrumentalen Vorkenntnisse voraus. Das ,,Kontrabass!-Konzept ist dabei so offen dass alle Lehrer von ihrer eigenen Spieltechnik und Methodik ausgehen und sie problemlos unterrichten konnen. Das Heft entstand in Zusammenarbeit mit Nele Weissmann VdM-Fachbeauftragte und Mitglied der Padagogischen Arbeitsgemeinschaft fur Kontrabass (PAK).

Der Weg in Heft 1 fuhrt von gezupftem und gestrichenem Spiel auf leeren Seiten zur ersten Lage. Es gibt zahlreiche Ideen zum Erlernen musikalischer Stilrichtungen von Klassik Jazz und Neuer Musik. Um von Anfang an gemeinsam musizieren zu konnen enthalt das Heft oft eine Begleitstimme fur Bass Klavier oder ein Melodie-Instrument. Und so eine gute Instrumentalschule bietet naturlich auch noch mehr: Materialien Ubungen Anregungen - kurzum: der Unterricht wird mit ,,Kontrabass! zu einer runden Sache. Dorothea Lindenberg First steps with the double bass

It's not by chance that Kontrabass! (Double Bass!) has an exclamation mark in its title for Thomas Schlink's method begins from scratch i.e. it requires no practical knowledge of the instrument. The Kontrabass! concept is so broad that all teachers can proceed from their own playing techniques and methods and can teach them without difficulty.

In Book 1 the student goes from plucked and bowed playing on open strings to the first position. In order to let the student interact with others from the very start the book often includes an accompanying part for bass piano or melody instrument. Of course such a well-planned instrumental method offers more yet: work materials exercises suggestions - in a word double-bass lessons are rounded off perfectly with Kontrabass!

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