The Singer's Musical Theatre Anthology - Volume 2 - Baritone/Bass (Book only)

Baritone/Bass Book Only

The Singer's Musical Theatre Anthology - Volume 2 - Baritone/Bass (Book only) by

Look inside(4)
Instrument:

Baritone Voice

Bass Voice

Voice Solo

Piano Accompaniment

Format:

Collection / Songbook

Level:

Intermediate

Series:

ABRSM: Singing (2009 onwards)

Best of Voice Solo

The Singer's Musical Theatre Anthology

Publisher:

Hal Leonard

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Baritone/Bass Volume 2 Vocal (Baritone Voice/Bass Voice and Piano) - Difficulty: medium
Baritone/Bass Book Only. Vocal Collection. Vocal Standards. Songbook. With vocal melody, lyrics, piano accompaniment and introductory text. 224 pages. Published by Hal Leonard (HL.747033).

Item Number: HL.747033

ISBN 9780793523320. 9x12 inches.

CD accompaniment available separately(HL.740237).

Song List

All At Once You Love Her From 'Pipe Dream', Composed by Oscar Hamerstein II, Richard Rodgers
All Of My Life From 'Do Re Mi', Composed by Jule Styne, C Major
All Of You From 'Silk Stockings', Composed by Cole Porter
All Through The Night From 'Anything Goes'. , Composed by Cole Porter, Eb Major
Bye Bye Baby From 'Gentlemen Prefer Blondes', Composed by Jule Styne, Bb Major
Empty Chairs At Empty Tables From 'Les Miserables', Composed by Herbert Kretzmer, Alain Boublil, Claude-Michel Schonberg
Fate From 'Kismet', Composed by Robert Wright, George Forrest, A.Borodin*, D Minor
The Girl That I Marry From 'Annie Get Your Gun', Composed by Irving Berlin, Bb Major
Good Thing Going From 'Merrily We Roll Along', Composed by Stephen Sondheim
Guido's Song From 'Nine', Composed by Maury Yeston
The Highest Judge Of All From 'Carousel', Composed by Oscar Hammerstein II, Richard Rodgers, G Major
I Want What I Want When I Want It From 'Mlle. Modiste', Composed by Henry Blossom, Victor Herbert
I Won't Send Roses From 'Mack And Mabel', Composed by Jerry Herman
I'll Never Say No From 'The Unsikable Molly Brown', Composed by Meredith Willson
I've Come To Wive It Wealthily In Padua From 'Kiss Me, Kate', Composed by Cole Porter
I've Grown Accustomed to Her Face From 'My Fair Lady', Composed by Alan Jay Lerner, Frederick Loewe
Ilona From 'She Loves Me', Composed by Sheldon Harnick, Jerry Bock
In Praise Of Women From 'A Little Night Music', Composed by Stephen Sondheim
It's All Right With Me From 'Can-Can', Composed by Cole Porter, E Major
Joey, Joey, Joey From 'The Most Happy Fella', Composed by Frank Loesser
Just in Time From 'Bells Are Ringing', Composed by Jule Styne, Bb Major
Leaning On A Lamp Post From 'Me And My Girl', Composed by Noel Gay
Lonely Town From 'On The Town', Composed by Betty Comden, Adolph Green, Leonard Bernstein
Long Before I Knew You From 'Bells Are Ringing', Composed by Jule Styne, C Major
Luck Be A Lady From 'Guys And Dolls', Composed by Frank Loesser, Db Major
The Man I Used To Be From 'Pipe Dream', Composed by Oscar Hammerstein II, Richard Rodgers
More I Cannot Wish You From 'Guys And Dolls', Composed by Frank Loesser, D Major
My Defenses Are Down From 'Annie Get Your Gun', Composed by Irving Berlin, Bb Major
My Name From 'Oliver!', Composed by Lionel Bart
My Time Of Day From 'Guys And Dolls', Composed by Frank Loesser, G Minor
Once In Love With Amy From 'Where's Charley?', Composed by Frank Loesser
Only With You From 'Nine', Composed by Maury Yeston
Pilate's Dream From 'Jesus Christ Superstar'. , Composed by Tim Rice, Andrew Lloyd Webber, Bb Minor
Promises, Promises From 'Promises, Promises', Composed by Hal David, Burt Bacharach
Stars From 'Les Miserables', Composed by Herbert Kretzmer, Alain Boublil, Claude-Michel Schonberg
The Surrey With The Fringe On Top From 'Oklahoma!', Composed by Oscar Hammerstein II, Richard Rodgers
There's Nowhere To Go But Up From 'Knickerbocker Holiday', Composed by Maxwell Anderson, Kurt Weill
This Can't Be Love From 'The Boys From Syracuse', Composed by Lorenz Hart, Richard Rodgers, Ab Major
You're The Fairest Flower From 'Little Mary Sunshine', Composed by Rick Besoyan
Wouldn't You Like To Be On Broadway From 'Street Scene', Composed by Langston Hughes, Kurt Weill