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6320531
6320531
6320531

Sonatina in C major Op. 47/1

By Julius Klengel

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Cello, piano
Composed by Julius Klengel (1859-1933). Edition Breitkopf.

A cellist himself, Klengel knew exactly what pieces would help young cellists perfect their tech-nique in a casual yet musically demanding manner.

Romantic. Breitkopf and Haertel #EB-3481. Published by Breitkopf and Haertel (BR.EB-3481).

Item Number: BR.EB-3481

ISBN 979-0-004-18116-4. 9 x 12 in inches.

A cellist himself, Klengel knew exactly what pieces would help young cellists perfect their tech-nique in a casual yet musically demanding manner. And since Klengel was blessed with a great deal of imagination, he wrote many of his pedagogical pieces himself. The Sonatina in C major Op. 47 No. 1 is one of Klengel's easiest duet pieces, which unassumingly introduces pupils to the formal world of classical music. The reprint supplements the C minor Sonatina Op. 48 No. 1 (EB 4495), which is already available.

The present edition is based on the music text of the ,,Gesamtausgabe of Robert Schumann's works edited by Clara Schumann together with Johannes Brahms and others between 1879 und 1893. This publication is almost entirely free from arbitrary alterations in the text. A few obvious errors and unjustifiable alterations of the musical text were eliminated after a thorough comparison with the first editions. Die vorliegende Ausgabe folgt dem Notentext der von Clara Schumann in Zusammenarbeit mit Johannes Brahms u. a. zwischen 1879 und 1893 herausgegebenen Gesamtausgabe von Robert Schumanns Werken. Diese Edition ist von willkurlichen Veranderungen des Textes weitgehend frei. Einige offensichtliche Irrtumer und nicht zu rechtfertigende Eingriffe in den Notentext wurden nach Vergleich mit der Erstausgabe und dem Autograph beseitigt. The present edition is based on the music text of the ,,Gesamtausgabe of Robert Schumann's works edited by Clara Schumann together with Johannes Brahms and others between 1879 und 1893. This publication is almost entirely free from arbitrary alterations in the text. A few obvious errors and unjustifiable alterations of the musical text were eliminated after a thorough comparison with the first edition and the autograph.

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