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Republic of Cuba National Anthem: El Himno de Bayamo

Digital Sheet Music

By Pedro Figueredo (1818-1870)

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Woodwind Choir or Ensemble, Brass Choir or Ensemble, Concert Band, Full Orchestra, String Orchestra, Chamber Orchestra, Flexible instrumentation - Intermediate - Digital Download
Composed by Pedro Figueredo (1818-1870). Arranged by Colin Kirkpatrick. Score, Set of Parts. 38 pages. Published by Colin Kirkpatrick Publications (S0.350853).

Item Number: S0.350853

REPUBLICOF CUBA: El Himno de Bayamo

Thisnational anthem arrangement is essential for traveling musicians,bands, instrumental groups and both amateur and professional ensembles. Although it's primarily designed for band, you canplay it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almostanything!

Thisarrangement is in six independent parts each transposed into a variety of keys.For the most satisfying sound you’ll need to get a good balance between eachpart possibly with an emphasis on the melodic line. If you have a non-standardensemble, you can "pick 'n' mix" as required. The piano reduction can"fill" missing parts or can be used as the basis for an accompaniment.

Thisarrangement consists of a four-page score with seven instrumental staves andthree percussion staves. The following parts are printed on separate pages. Thescore and all the parts are contained in the same 38-page PDF file.

Part1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe,glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a inC (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat(E flat cornet in brass band).

Part2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin);Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute,oboe, violin); Part 2a in B flat for clarinets (9th above concertpitch); Part 2a in E flat (minor 3rd below concert for E flat altoclarinet).

Part3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat        (tenor horn, alto sax); Part 3 in F (Frenchhorn); Part 3a in B flat (8ve below Part 3 in B flat for 3rdclarinets in band).

Part4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (Frenchhorn).

Part5 in B flat (baritone); Part 5 in C (bass clef for trombone, cello, euphonium,bassoon.

Part6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone,bassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’salso a part for timpani, percussion (3 players) and a piano reduction.


Parts1a and 2a are provided because Parts 1 and 2 are too low to be comfortablyplayed by flute and piccolo. By using these parts you can create a highwoodwind tone above the other instruments.


Thearranger, Colin Kirkpatrick studied at London’s Royal College of Music andfollowed a career in music education. He was a High School Music Director forabout fifteen years and later became a Music Education Adviser, with the addedresponsibility for training teachers and directing the instrumental teachingservice. He has published a great deal of music and his publishers includeBoosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester,Belwin Mills and Intrada (Netherlands). His music has been performed andbroadcast all over Europe as well as in Japan, Thailand, Australia and the USA.


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