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Liszt: At the Piano
11 Well-Known Original Pieces in Progressive Order Sheet Music Book
By Franz Liszt

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Piano (Piano solo) - L3, L4, L5, L6, L7
11 Well-Known Original Pieces in Progressive Order. Composed by Franz Liszt (1811-1886). Edited by Sylvia Hewig-Trö and William Scher. Sheet music. Paperbound. At the Piano. With practical comments. Classical. Softcover. 56 pages. G. Henle #HN1819. Published by G. Henle (HL.51481819).

Item Number: HL.51481819

ISBN 9790201818191. 9.25x12.25x0.195 inches.

Franz Liszt is still regarded as one of the greatest pianists of all time: a superb virtuoso whose own piano works also bristle with extreme technical difficulties. But no one needs to be afraid of big names. Our carefully chosen selection from Liszt's immense oeuvre ranges here from the easy to the moderately difficult. These pieces are truly charming, and well-suited for “ordinary mortals.” And for those who reach the end of the volume, there's a worthwhile reward: perhaps Liszt's best-known piano piece, the third “Liebestraum.” Contents: Sehr langsam from Four Piano Pieces • Andantino from Four Piano Pieces • Andante con moto from Consolations • Un poco più mosso from Consolations • Quasi adagio; cantabile con devzione from Consolations • Hymne de l'enfant à son réveil from Harmonies poétiques et religieuses • Le mal due pays from Années de Pèlerinage, Première Année - Suisse • Il penseroso from Années de Pèlerinage, Deuxième Année - Italie • Canzonetta del Salvator Rosa from Années de Pèlerinage, Deuxième Année - Italie • Aux Cypès dela Villa d'Este from Années de Pèlerinage, Troisième Année • Liebestraum in A-flat Major.

About At the Piano

At the Piano is an ideal introduction to the world of classical piano music! It is particularly suitable for all those who are returning to the piano after a longer break.

Each volume with original pieces by one composer.

The works are arranged in progressive order of difficulty (from easy to medium level).

The works complement one another conceptually.

The length of the pieces ranges from one to eight pages.

The works contain fingerings and practical tips on technique and interpretation.

At the Piano is edited by Sylvia Hewig-Troscher, a piano professor at the Hochschule fur Musik und Theater in Munich. She has decades of experience teaching young people and adults, gives concerts and masterclasses around the world and is a much sought-after educator.

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